A short sci-fi film set in a near future where privacy and personality have lost their value, and the currency of the day is data, your mind, body, and everything in between.

In this world, society is overwhelmed by advanced technology, genetic engineering, and the commodification of consciousness. The film blends art, science fiction, and dark humor, following two individuals navigating these profound and unsettling changes.

Beside writing, directing and producing the whole thing, a big part of this project was to design the world. Logotypes, UI, screen graphics, packaging etc. Because the .heim conglomerate needs to look and feel like it is allways watching you …

I played a central role in the strategic development and production of Earthbound’s branding and visual identity, an initiative aimed at creating a strong and cohesive visual identity. Through a cross-functional approach encompassing graphic design, concept development, presentations, animation, website development, photography, and film production, we ensured Earthbound’s mission was communicated effectively.

Our focus was to give voice to entrepreneurs, finding and sharing stories of passion, courage, will, and vision. By creating a visual identity that highlighted these narratives, we successfully built a strong community around Earthbound’s mission to combat climate challenges.

“DTU Earthbound is a climate tech catalyst. That mobilise and nurture deep tech inventions, as they mature into early-stage startups confronting climate change. Practitioners led by active hope for our climate, building entrepreneurial pathways for impactful inventions, intentionally co-creating a community around a shared mission.”

To create excitement for Vävda Rum, Sweden’s largest exhibition of virtual public art via augmented reality, and engage a younger audience across Sweden.

Developed 3 comprehensive film concepts, a documentary, a commercial and an engaging TikTok concept, highlighting the exhibition’s AR artworks and their transformative impact on local communities. The project is initiated by the National Association of Swedish Art Societies

The films generated over 222,000 views and 4,910 clicks upon launch, demonstrating effective audience engagement.
Versatile content by filming the scene from four distinct locations (Arvidsjaur, Stockholm, Malmö and Orust), clearly illustrating the potential of AR technology to create connection and promote social cohesion.
The campaign inspired the National Association of Swedish Art Societies to integrate more film into their branding and outreach strategies.